Written by Jo-young Directed by Hong Jong-chan
Rating: ★★★★★
This story employs nonlinear storytelling, where we witness the characters’ actions first and slowly uncover the motivations and histories that drive them. Yet its focus is not on sensationalism or glorifying violence. Instead, it unfolds as a tender, exquisitely crafted exploration of human emotion and connection.
The emotional depth of Mr. Plankton echoes the timeless beauty of Brazilian poet Vinicius de Moraes, who wrote:
“I can tell myself about the love (that I had): That it is not immortal, since it is flame, but let it be infinite while it lasts.”
Like Moraes, the story captures the transient beauty of life’s fleeting moments and reflects on how they shape us. By gradually unveiling its characters’ inner lives, it builds suspense while nurturing profound empathy. Each revelation offers a glimpse into their fragile yet resilient humanity, making their journeys feel deeply authentic and personal. This nuanced approach is a hallmark of Jo Young, celebrated for her masterful character work in It’s Okay to Not Be Okay. Here, she creates relationships forged from pain and healing, imbued with layers of emotional complexity.
Hong Jong-chan’s direction complements this introspective narrative with remarkable subtlety. His use of seamless transitions and reflective pacing invites us to linger in the unspoken emotions of each scene. The nonlinear structure is enhanced by his visual storytelling, which skillfully intertwines past and present to evoke a deep emotional resonance. Together, Jo Young and Hong Jong-chan create a mosaic of love, grief, growth, and friendship that feels both deeply personal and universally profound.
By the end, Mr. Plankton emerges as a quiet yet powerful reminder: even the most ephemeral moments in life can carry infinite meaning.
Image courtesy of Netflix




















